Three stories examine the meaning of the act of apology and the complex power plays at work.
Youth and experience collide in Force Majeure’s provoking new work on the world to come.
Jump aboard a hilarious, sexy and sequin-spangled take on a Gilbert and Sullivan masterpiece.
How much weight can we carry? Who can we trust to support us? It takes strength to be human.
A heartfelt comedy about celebrating our differences, from acclaimed Western Sydney writer James Elazzi.
The story of Evonne Goolagong, the pioneering Indigenous tennis champ who served and volleyed her way to 14 Grand Slam titles and into the hearts of a nation.
Jasmin Sheppard's new dance work explores and challenges the social expectations of what it means to look or sound Aboriginal.
The dangerous woman at the heart of a musical masterpiece steps out to tell her own story.
A side-splitting extravaganza for kids shatters the fourth wall and glues it back together with silliness.
Audrey review: Innovative storytelling and Eryn Jean Norvill's performance boost this novel-to-stage translation into the world-class league.
Audrey review: There have been hits and misses in all the Wharf Revues I’ve seen to date, but Good Night and Good Luck’s pickings seem slim this year.
Audrey review: Adapted by Tom Wright from the cult novel, a play as dense and thorny as the landscape it describes.
Audrey review: Cloaked as a tart comedy for women of a certain age, Alma de Groen’s Wicked Sisters is, more accurately, a play of big ideas.
Audrey review: Actors give their all in a Christmas-themed distraction in which the rules are everything.
Audrey review: If live-streamed musicals can be made this entertaining, then conventionally staged productions had better step up when the lockdown of our theatres ends.
