Sydney Opera House celebrates diverse, new and risk-taking works from some of Australia’s most admired contemporary performance makers.
Playwright David Ireland hurls a grenade at the politics of identity and the madness of bigotry.
Rainer Werner Fassbinder's Blood on the Cat's Neck views the world through the eyes of an alien observer, Phoebe Zeitgeist.
British writer-director Javaad Alipoor explores the smoke and mirrors world of online extremism, anonymity and hate speech.
In a system built by men, operated by men, inclined to distrust women, does the truth even matter?
Hugo Weaving, Zahra Newman and Pamela Rabe star in a new production of Tennessee Williams' steamy classic.
How do you speak your mind when you’re forbidden to say a word? How do we address life’s biggest questions when words fail?
In a quiet room in a quiet building, a covert experiment is headed toward its public unveiling.
A pitch black comedy based on Brett Easton Ellis’ sensational novel. May contain traces of Phil Collins.
Audrey review: Megan Wilding's portrait of a young woman's grief is one of the best debut plays in recent memory.
Audrey review: No shortage of physics talk but this STC staging of Lucy Kirkwood's sibling drama lacks the necessary chemistry.
Audrey review: Fuelled by furious rebellion, this is theatre full of bite, ballads, bangers and belly laughs.
Audrey review: Francesca Zambello’s new production brings a sweeping sense of urban scale to a Broadway classic.
Audrey review: Fine performances fill out this pocket-sized musical but it would be better without all the spin.
Audrey review: Monkey Baa’s Possum Magic puts a pair of possums on a bike and sends them on an all-states tour of Australia.
Audrey review: Melanie Tait’s new comedy totes weighty issues over the line and makes light work of it.
Audrey review: Some sugary highs but Willy not wonky enough to sustain interest.
