The doom of our planet from criminal negligence and exploitation, but in a funny way.
Sydney Fringe celebrates its 10th anniversary this year an eye-popping program of performance, music, theatre, comedy, visual art, film, dance and circus.
Robots have taken control in order to prevent Earth’s destruction. Now one of them has written a play.
Kate Hennig's historical drama reimagines the dangerous sparring between King Henry VIII and Katherine Parr through a provocative contemporary lens.
Claws come out as an arts journalist interrogates a panel of cast members from the Broadway production of Cats.
A darkly funny sci-fi thriller takes audiences on an intoxicating dive into the unconscious biases within us all.
Hilary Bell's modern language adaptation of Shakespeare's early comedy is "one big, dazzling magic trick".
Audrey review: Mike Bartlett's vivid study of troubled friendship asks how far we're prepared to go to help others.
Audrey review: Joey McKneely's faithful staging only serves to highlight how dated a show - even one that was radical in its time - can become.
Audrey review: Taofia Pelesasa's depicton of an island culture swamped by rising oceans is Pasifika storytelling at its finest, writes Gabriel Faatau'uu-Satiu.
Audrey review: Jane Harrison’s comedy-flecked drama spotlights one family’s struggle for equality in housing, education, work and opportunity.
Audrey review: The mythic intensity of Steinbeck's novel is lost in this staging of the Joad family's long journey from bad to worse.
Audrey review: Belvoir's austere modern dress staging of Bertolt Brecht’s drama seldom reaches out beyond its circle.
Audrey review: Stormy and provocative, Meyne Wyatt's debut play City of Gold is compelling and necessary theatre.
