Strap in for 360 degrees of adrenaline filled flights of daring, and seemingly impossible acrobatic and aerial feats.
A multi-disciplinary choreographic work that combines contemporary dance with visual art in an exploration of place.
The twelfth night is the last of the Christmas cycle, a night of madness where the world turns upside down.
From David Williamson, a blackly comic drama situated squarely on the fault lines that divide Australia.
The Snail and the Whale quietly stresses the importance of person-to-person storytelling at a time when digital media often pulls family members in different directions.
A warm and wise hour of storytelling sends us back into the world counting our blessings.
Tap-dancing in torture chambers. Rats with razzle-dazzle. 1984! The Musical! finds laughter in the darkest places.
Audrey review: Nothing gets quite as messy as it might in this amiable staging of Neil Simon's strange bedfellows comedy.
Audrey review: Under Gale Edwards' direction, every second of Samuel Beckett's play seems to have been in some way sculpted, its impact considered.
Audrey review: Mishaps and malfunction galore but Trevor Ashley turns a dinosaur theme park disaster into a camp triumph.
Audrey review: Twenty years after its Sydney debut, Martin McDonagh's early masterpiece remains endlessly intriguing.
Audrey review: Storytelling strangled by the details of a telco's demise but meaty performances prove compelling.
Audrey review: School of Rock coasts happily on its charm and the talents of an ensemble that makes everything look easy.
Audrey review: Not the most highly polished of productions but its rough edges suit the never-say-die mood of the story being told.
