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Kate Prendergast

Writer

Kate Prendergast is a writer living in Sydney, with experience in the arts, publishing and journalism industries.

A few years back, she won an award for her review of the FRINGE WORLD show Crap Music Rave Party. Too long ago to boast about? Probably.

Slaughterhouse
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TheatreBelvoir Downstairs, Surry Hills, Sydney 16 Oct - 2 Nov 2019

Slaughterhouse

Audrey review: Anchuli Felicia King's surreal horror comedy sends up the anxieties, hypocrisies and warped behaviours of the sustainable eating movement.

Rosaline
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ArchivedKings Cross Theatre, Kings Cross Hotel, Sydney 11 - 26 Oct 2019

Rosaline

Audrey review: Joanna Erskine's revisionist take on Shakespeare's Romeo and Juliet is fashioned with subversive perspectives and twists.

A Girl In School Uniform (Walks Into a Bar)
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ArchivedKings Cross Theatre, Kings Cross Hotel, Sydney 20 Sep - 5 Oct 2019

A Girl In School Uniform (Walks Into a Bar)

Audrey review: UK writer Lulu Raczka's haunting drama is entirely attuned to the undercurrents rippling through the cultural psyche.

Evangeline
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ArchivedOld 505 Theatre, Newtown, Sydney 24 - 28 Sep 2019

Evangeline

Audrey review: Confronting, cathartic and sublime, Evangeline explores grief and healing as a public, collective act.

Party Snake
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ArchivedOld 505 Gallery, Newtown, Sydney 17 - 21 Sep 2019

Party Snake

Audrey review: Kotryna Gesait's play twists and coils its way along the imaginary line between performance and truth.

All I See Is You
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ArchivedOld 505 Theatre, Newtown, Sydney 17 - 21 Sep 2019

All I See Is You

Audrey review: A gripping, heartbreaking and hopeful story and a testimony to the heroism of love against hate.

The Ballad of the Apathetic Son and His Narcissistic Mother
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ArchivedOld 505 Theatre, Newtown, Sydney 3 - 7 Sep 2019

The Ballad of the Apathetic Son and His Narcissistic Mother

Audrey review: Mother and son go head-to-head in an affecting and unique work of theatre.

Chorus
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ArchivedOld Fitzroy Hotel, Woolloomooloo, Sydney 28 Aug - 21 Sep 2019

Chorus

Audrey review: Little goes without comment - alas - in this rewired version of the ancient tale of Agamemnon.

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