Audrey review: The writers of Who's Afraid of the Working Class? reunite for a frequently funny but fundamentally bleak update on the state of the nation.
Audrey review: Ronnie Burkett's participatory Punch and Judy show is not one of the Canadian puppeteer's most memorable.
Audrey review: Josh Quong Tart is a powerful, multi-faceted performer but this reboot of Reg Livermore's star-making show is more miss than hit.
Audrey review: A stylish production of James Elazzi's complex coming out story confirms this rising Western Sydney playwright's promise.
Audrey review: An author's voice crowded out in Early Morning Opera's staging of a canon text of 1960s New Journalism.
Audrey review: Nothing gets quite as messy as it might in this amiable staging of Neil Simon's strange bedfellows comedy.
Audrey review: Under Gale Edwards' direction, every second of Samuel Beckett's play seems to have been in some way sculpted, its impact considered.
Audrey review: Some unresolved passages stall momentum but you can’t help but root for something resulting from such a giant collective effort.