George trained at the Royal Central School of Speech and Drama, London and more recently, with Steppenwolf Theatre Company in the USA.
He’s recently finished the Melbourne season of Pop Up Globe appearing in Henry V and As You Like It. Prior to that, he appeared in Mischief Theatre’s national tour of the West End and Broadway smash The Play That Goes Wrong.
Other recent theatre credits include Taming of the Shrew (Sport for Jove), Journey’s End (Cross Pollinate/ATYP), Notes from Underground (SCO), Bull (Old Fitz and Sydney Arts Guide Winner of Best Independent Drama) and Cyrano de Bergerac and Rosencrantz and Guildenstern are Dead for The Sydney Theatre Company.
His London theatre credits include Longing (Hampstead Theatre), The Bowl (Young Vic), Othello (Emanate), Three Sisters (RCSSD), The Seagull (RCSSD) and All’s Well That Ends Well (RCSSD).
Shakespeare had huge faith in the young actors who gave us the original Juliet, Lady Macbeth, or Rosalind and Viola. So why don't we, asks George Kemp.
Actor George Kemp has taken a two-part crash course in 21st century farce. He has the bruises to prove it.
Les Mis 1000 times? 85 (and a half) viewings of Wicked? Actor George Kemp goes in search of Australia's theatre obsessives.
