Audrey review: A frequently under-appreciated form reigns supreme at Giant Dwarf. Hail to The Kings!
Audrey review: Feel-good to its core, Half Time encourages you sit back, relax, and turn off your brain. Good luck with that.
Mark Rogers' play offers a portrait of instinct and trauma, privilege and power, and how these things intersect and interact, writes Cassie Tongue.
Audrey review: Virginia Woolf’s A Room of One’s Own speaks of the need for space and our lack of it, writes Cassie Tongue.
Audrey review: School of Rock coasts happily on its charm and the talents of an ensemble that makes everything look easy.
Audrey review: Anchuli Felicia King's thrilling, razor-edged satire shows how good intentions can be smeared by corporate greed.
Audrey review: Hilary Bell’s moody Australian gothic drama Splinter picks at a couple’s raw and exposed nerves.
Audrey review: Slick and sparkling but there are hints of richer, more developed performances to come.