Got a few minutes? Spend some of them on Audrey’s long-form writing on theatre, dance, opera, and performance in Sydney and beyond.
David Finnigan asks the hard questions: Will we survive the coming storm? Do climate scientists have good taste in music?
Youth theatre should not be training for thought and action in the future, argues Iris Simpson. It should be training for now.
Merrigong Theatre Company aims to build a new audience alongside new work from young and diverse creatives.
Why would a "Capital-A Actor" choose sex work? It's more than just the money writes "Adelaide".
The choice of language in the recent Rush v Nationwide News judgement is all too familiar, writes lawyer and playwright Suzie Miller.
Rainer Werner Fassbinder "redefined prolific", writes Saro Lusty-Cavallari. Indie company Montague Basement follows suit.
A new participatory theatre event invites audiences to found a nation and make its history. Caleb Lewis explains why and how.
David Finnigan asks the hard questions: Will we survive the coming storm? Do climate scientists have good taste in music?
Sarah Hadley and Ang Collins on the making of a "queer, cyberfeminist parody" of the film you hate to love.
Geordie Brookman's adaptation of George Orwell's novel seeks to fill in missing truths.
Youth theatre should not be training for thought and action in the future, argues Iris Simpson. It should be training for now.
Merrigong Theatre Company aims to build a new audience alongside new work from young and diverse creatives.
