Festival Fatale producer Tara Clark argues we need a proudly feminist theatre festival now more than ever.
Andre Greenwell's Gothic takes its audience to some dark places - including an infamous Austrian basement.
Why write a play about Nazis? And how? Toby Schmitz ponders the complex, troubling relationship between fascism and art.
Hugo Chiarella charts the three years of excitement and frustration that went into the creation of a new Australian musical.
Opinions and ideas
Why would a "Capital-A Actor" choose sex work? It's more than just the money writes "Adelaide".