Got a few minutes? Spend some of them on Audrey’s long-form writing on theatre, dance, opera, and performance in Sydney and beyond.
Over the past five years, the 80-seat Kings Cross Theatre has made a reputation as a pocket-sized venue where big things can happen.
The Snail and the Whale quietly stresses the importance of person-to-person storytelling at a time when digital media often pulls family members in different directions.
If love can blossom between a boy and a fox, then what else is possible, asks Lee Lewis with her season-ending production First Love is the Revolution.
The notion of ‘home’ inspires The Old Fitzroy’s Theatre’s 2020 season but the vision goes far beyond Wolloomooloo.
Bell Shakespeare programs its first female Hamlet and The Comedy of Errors in its 30th birthday year.
Ageism is pernicious in the theatre scene, writes Dino Dimitriadis, and our veteran actors are not the only people missing out.
Youth theatre should not be training for thought and action in the future, argues Iris Simpson. It should be training for now.
If you want to represent a community, find someone from that community and employ them to do it, argues Sweatshop's Winnie Dunn.
Over the past five years, the 80-seat Kings Cross Theatre has made a reputation as a pocket-sized venue where big things can happen.
Getting the facts right is crucial to the writing of a play about men who have become legends, writes Tommy Murphy.
Sound Designer and musician Ash Walker reflects on the process of creating music for the new play Simple Souls.
Jordan Shea addresses the representation of Filipino people in Australian culture with a new play inspired by his mother.
"We want to reflect the different kinds of people who come to the theatre," says Merrigong Theatre Company's Simon Hinton on the launch of his 2020 season.
In a newly published Platform Paper, Alison Croggon considers the state of critical writing in Australia and asks, should it disappear, to whom would that matter?
A new play asks, what would Mercutio and Tybalt think of their behaviour, if they could see it in hindsight?
