Got a few minutes? Spend some of them on Audrey’s long-form writing on theatre, dance, opera, and performance in Sydney and beyond.
“I’ve realised life has to balance with work”: Theatre director Darren Yap on cooking, meditation and holding onto the best of lockdown.
"Hold on tightly, let go lightly": Actor and theatre-maker Catherine Văn-Davies puts 100 per cent into her work, even if it disappears tomorrow.
Thanks to Covid-19, Drew Fairley was trapped for two months aboard a passenger liner going nowhere. One thing prevented him from being all at sea.
Shakespeare had huge faith in the young actors who gave us the original Juliet, Lady Macbeth, or Rosalind and Viola. So why don't we, asks George Kemp.
Ryuichi Fujimora blends storytelling, 80s dance flicks and anecdotes of personal failure into a "pet project" work of contemporary dance.
You pay a price for years of pretending to be someone you’re not, writes Matthew Backer, star of Young Frankenstein.
In a newly published Platform Paper, Alison Croggon considers the state of critical writing in Australia and asks, should it disappear, to whom would that matter?
If you want to represent a community, find someone from that community and employ them to do it, argues Sweatshop's Winnie Dunn.
Director Anna Houston counts the costs involved in the COVID-19-related postponement of the Australian premiere of Is God Is - and it's more than just financial.
Youth theatre should not be training for thought and action in the future, argues Iris Simpson. It should be training for now.
Fourth generation song-and-dance man Wayne Scott Kermond is a living link to the vaudeville tradition.
"Constantly in flux and questioned, rarely settled on": Shauntelle Benjamin on ADHD, gender fluidity and engaging with more people of colour in Australia’s arts scene.
“I’ve realised life has to balance with work”: Theatre director Darren Yap on cooking, meditation and holding onto the best of lockdown.
"We put our team's health and well-being first": Hot Brown Honey’s Lisa Fa'alafi on finding peace in a pandemic and looking towards the future.
Designer Eugyeene Teh is an artist fuelled by the deliberate act of giving, writes Suzy Wrong.
"Our bodies are still adjusting to everyday life": Playwright and actor Vivian Nguyen reveals her stage fright in the post-pandemic arts world.
"Hold on tightly, let go lightly": Actor and theatre-maker Catherine Văn-Davies puts 100 per cent into her work, even if it disappears tomorrow.
It took 30 plague deaths to close the playhouses in Shakespeare's time. Now all it takes to close a theatre is one case of COVID.
