Got a few minutes? Spend some of them on Audrey’s long-form writing on theatre, dance, opera, and performance in Sydney and beyond.
"I just knew I wanted to be part of the story." Charlotte Salusinszky's solo performance piece explores her Grandma’s escape from Hungary in 1956.
Designer Eugyeene Teh is an artist fuelled by the deliberate act of giving, writes Suzy Wrong.
“I’ve realised life has to balance with work”: Theatre director Darren Yap on cooking, meditation and holding onto the best of lockdown.
"Hold on tightly, let go lightly": Actor and theatre-maker Catherine Văn-Davies puts 100 per cent into her work, even if it disappears tomorrow.
Shakespeare had huge faith in the young actors who gave us the original Juliet, Lady Macbeth, or Rosalind and Viola. So why don't we, asks George Kemp.
Ryuichi Fujimora blends storytelling, 80s dance flicks and anecdotes of personal failure into a "pet project" work of contemporary dance.
You pay a price for years of pretending to be someone you’re not, writes Matthew Backer, star of Young Frankenstein.
In a newly published Platform Paper, Alison Croggon considers the state of critical writing in Australia and asks, should it disappear, to whom would that matter?
If you want to represent a community, find someone from that community and employ them to do it, argues Sweatshop's Winnie Dunn.
Youth theatre should not be training for thought and action in the future, argues Iris Simpson. It should be training for now.
Kate Gaul renews her relationship with playwright Noëlle Janaczewska to examine the bloke-sphere of global exploration, colonisation and polar science.
Too often, music in Shakespeare can be treated as an afterthought. Actor-composer Alec Steedman is making it central to the experience.
"I just knew I wanted to be part of the story." Charlotte Salusinszky's solo performance piece explores her Grandma’s escape from Hungary in 1956.
Reflections on voice, theatre work, absence and presence, humour, Blackness and Arabness.
Writer and director S. Shakthidharan in conversation with his mother, the revered classical Indian dancer Anandavalli.
"Constantly in flux and questioned, rarely settled on": Shauntelle Benjamin on ADHD, gender fluidity and engaging with more people of colour in Australia’s arts scene.
“I’ve realised life has to balance with work”: Theatre director Darren Yap on cooking, meditation and holding onto the best of lockdown.
"We put our team's health and well-being first": Hot Brown Honey’s Lisa Fa'alafi on finding peace in a pandemic and looking towards the future.
