Got a few minutes? Spend some of them on Audrey’s long-form writing on theatre, dance, opera, and performance in Sydney and beyond.
Ryuichi Fujimora blends storytelling, 80s dance flicks and anecdotes of personal failure into a "pet project" work of contemporary dance.
You pay a price for years of pretending to be someone you’re not, writes Matthew Backer, star of Young Frankenstein.
Thanks to Covid-19, Drew Fairley was trapped for two months aboard a passenger liner going nowhere. One thing prevented him from being all at sea.
Shakespeare had huge faith in the young actors who gave us the original Juliet, Lady Macbeth, or Rosalind and Viola. So why don't we, asks George Kemp.
In a newly published Platform Paper, Alison Croggon considers the state of critical writing in Australia and asks, should it disappear, to whom would that matter?
If you want to represent a community, find someone from that community and employ them to do it, argues Sweatshop's Winnie Dunn.
Director Anna Houston counts the costs involved in the COVID-19-related postponement of the Australian premiere of Is God Is - and it's more than just financial.
Youth theatre should not be training for thought and action in the future, argues Iris Simpson. It should be training for now.
"I just knew I wanted to be part of the story." Charlotte Salusinszky's solo performance piece explores her Grandma’s escape from Hungary in 1956.
Group bonding, hard exercise and disco exhibitionism? It's time for the Guru.
It’s just another day at the Singapore office of Clearday cosmetics. That is, until they discover that their new TV commercial has been leaked online.
A sharp sense of loss and sadness comes with the news that Sydney actor Bardiya McKinnon has died.
Working remotely and presenting work in non-theatre venues is both practical and achievable in these uncertain times.
Thanks to Covid-19, Drew Fairley was trapped for two months aboard a passenger liner going nowhere. One thing prevented him from being all at sea.
A theatre without actors is just a building. But what are actors without theatres, asks Toby Schmitz.
It's been a tough year, writes theatre maker Suz Mawer. But we can use the time on our hands to positive ends.
