Got a few minutes? Spend some of them on Audrey’s long-form writing on theatre, dance, opera, and performance in Sydney and beyond.
Actor George Kemp has taken a two-part crash course in 21st century farce. He has the bruises to prove it.
A rooftop drama set in rural Ireland offers a unique vantage point on LGBTQI rights in Australia, argue Lauren Foy and Warwick Doddrell.
The shows that we at Audrey Journal loved, the productions we admired, the stories we were moved and shaken by.
Why would a "Capital-A Actor" choose sex work? It's more than just the money writes "Adelaide".
Audrey review: American artist Nick Cave's monumental installation inspires wonder, promises change.
Les Mis 1000 times? 85 (and a half) viewings of Wicked? Actor George Kemp goes in search of Australia's theatre obsessives.
In Cake Daddy, Ross Anderson-Doherty challenges fatphobia in all its forms while hosting a party.
Elissa Blake speaks to Dino Dimitriadis about staging an epic in close-up and what Tony Kushner's angels are saying to today's audience.
A rooftop drama set in rural Ireland offers a unique vantage point on LGBTQI rights in Australia, argue Lauren Foy and Warwick Doddrell.
"Imagination and originality, with a bit of much-needed fuck-you". Dino Dimitriadis shares his annual Queer arts joyride.
What can theatre do that The Big Bang Theory can't? JackRabbit's Charlie Falkner has the answer.
Actor George Kemp has taken a two-part crash course in 21st century farce. He has the bruises to prove it.
American playwright Jen Silverman talks about her "obsessive pursuit" ahead of the Sydney premiere of her acclaimed dark comedy The Moors.
Louris van de Geer is inspired to write about life's essentials: supermarkets, appliances and lies.
