Got a few minutes? Spend some of them on Audrey’s long-form writing on theatre, dance, opera, and performance in Sydney and beyond.
Shakespeare had huge faith in the young actors who gave us the original Juliet, Lady Macbeth, or Rosalind and Viola. So why don't we, asks George Kemp.
In a newly published Platform Paper, Alison Croggon considers the state of critical writing in Australia and asks, should it disappear, to whom would that matter?
If you want to represent a community, find someone from that community and employ them to do it, argues Sweatshop's Winnie Dunn.
Mary Anne Butler's new play for ATYP amplifies youthful voices and depicts difficult choices faced by Top End teenagers on the threshold of adulthood.
It’s hard to imagine David Williamson stepping away from the theatre completely, but he insists 2020 will be his final as a working playwright.
There's no one way to play Terence Rattigan's Hester Collyer, says Marta Dusseldorp. "It’s like a different play every time I do it."
War Horse takes you to places a film like 1917 cannot, says the show's director, Charlie Kenber.
Bell Shakespeare programs its first female Hamlet and The Comedy of Errors in its 30th birthday year.
Director Anna Houston counts the costs involved in the COVID-19-related postponement of the Australian premiere of Is God Is - and it's more than just financial.
Youth theatre should not be training for thought and action in the future, argues Iris Simpson. It should be training for now.
"Is it reckless?" Co-starring in The Pond at Flight Path Theatre, Oliver Burton reflects on stage intimacy in the Covid era.
Working remotely and presenting work in non-theatre venues is both practical and achievable in these uncertain times.
Thanks to Covid-19, Drew Fairley was trapped for two months aboard a passenger liner going nowhere. One thing prevented him from being all at sea.
A theatre without actors is just a building. But what are actors without theatres, ponders Toby Schmitz.
It's been a tough year, writes theatre maker Suz Mawer. But we can use the time on our hands to positive ends.
A successful mashup of Oscar Wilde's classic and internet influencer culture explores the radical instability of identity in the digital realm.
“With a heavy heart”, Griffin Theatre Company Artistic Director Declan Greene has announced an extension of the closure of Griffin until September.
Violette Ayad speaks to photographer-actor Jasmin Simmons about a new project documenting artists in isolation.
