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AUDREY Journal

Theatre

Sydney’s theatre scene is as broad as the city itself, with a thriving independent sector and professional companies with world-class pedigrees. Classics, new Australian writing, voices from culturally and linguistically diverse communities … You’re spoiled for choice.

Dead Cat Bounce
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TheatreGriffin Theatre, Kings Cross, Sydney 22 Feb - 6 Apr 2019

Dead Cat Bounce

Mary Rachel Brown's new play asks painful questions around romance and addiction: how do we find the strength to be loved?

Angels in America (Part I & II)
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Sydney Mardi Gras FestivalOld Fitzroy Theatre, Woolloomooloo, Sydney 15 Feb - 16 Mar 2019

Angels in America (Part I & II)

Written in the early 1990s, Tony Kushner’s two-part play marks a watershed in contemporary theatre.

Wyngarde! A Celebration + Queen Bette
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Sydney Mardi Gras FestivalOld 505 Theatre, Newtown, Sydney 19 Feb - 2 Mar 2019

Wyngarde! A Celebration + Queen Bette

G.bod Theatre present double bill of solo performances celebrating the lives of two very different movie icons.

Monopoly
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TheatreEl Rocco, Kings Cross, Sydney 18 Feb - 29 Apr 2019

Monopoly

Five friends gather at a harbourside apartment for a night of Monopoly. Then one player suggests they play with real money.

Nothing Lasts Forever: A Love Story
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Theatre107 projects, Redfern, Sydney 1 - 1 Feb 2019

Nothing Lasts Forever: A Love Story

For one night only, a new work on the most universal theme of all - heartbreak.

How To Rule The World
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TheatreSydney Opera House, Bennelong Point 11 Feb - 30 Mar 2019

How To Rule The World

Vic, Zaza and Chris have a plan to take over the world. The first step is to find a non-threatening, non-thinking white guy to use as a political puppet.

Tuesday
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TheatreBelvoir Downstairs, Surry Hills, Sydney 6 - 23 Feb 2019

Tuesday

The first play in Belvoir's lo-cost 25A productions for 2019 is an intricate satire of suburban banality and social alienation.

The Caretaker
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TheatreRiverside Theatres, Parramatta, Sydney 21 - 23 Feb 2019

The Caretaker

Sixty years after its premiere, Harold Pinter's powerful play still speaks to issues of identity, power and family ties.

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