The choice of language in the recent Rush v Nationwide News judgement is all too familiar, writes lawyer and playwright Suzie Miller.
Youth theatre should not be training for thought and action in the future, argues Iris Simpson. It should be training for now.
After a year of the mass movement to fight abuse, we are moving beyond marches and hashtags, writes Lydia Sarks.
Imogen Gardam, winner of the 2018 Rose Byrne Scholarship for Emerging Female Leader in the Arts, on why she looks forward to "disappearing back into the shadows".
Jordan Manalo-Shea unveils a second major work concerning a Filipino-Australian experience.
"I'm Female, middle-aged and based regionally," says Mary Anne Butler. "Is there a trifecta less appealing in Australian theatre today?"
James Millar, Australia's own Agatha Trunchbull, opens up about his life-long battles with anxiety and how acting helps keep it at bay.
Two of Australia's leading female lighting designers share their impressions and experiences of working in a male-dominated culture.
