Sydney's independent theatre scene creates great product, argues actor and producer Matthew Cheetham. But it struggles to sell it.
The sudden closure of an inner city venue points to a structural weakness in our independent sector, write KXT co-artistic directors Suzanne Millar and John Harrison.
The choice of language in the recent Rush v Nationwide News judgement is all too familiar, writes lawyer and playwright Suzie Miller.
Youth theatre should not be training for thought and action in the future, argues Iris Simpson. It should be training for now.
Jordan Manalo-Shea unveils a second major work concerning a Filipino-Australian experience.
"I'm Female, middle-aged and based regionally," says Mary Anne Butler. "Is there a trifecta less appealing in Australian theatre today?"
James Millar, Australia's own Agatha Trunchbull, opens up about his life-long battles with anxiety and how acting helps keep it at bay.
Two of Australia's leading female lighting designers share their impressions and experiences of working in a male-dominated culture.