The sudden closure of an inner city venue points to a structural weakness in our independent sector, write KXT co-artistic directors Suzanne Millar and John Harrison.
The choice of language in the recent Rush v Nationwide News judgement is all too familiar, writes lawyer and playwright Suzie Miller.
Youth theatre should not be training for thought and action in the future, argues Iris Simpson. It should be training for now.
After a year of the mass movement to fight abuse, we are moving beyond marches and hashtags, writes Lydia Sarks.
Imogen Gardam, winner of the 2018 Rose Byrne Scholarship for Emerging Female Leader in the Arts, on why she looks forward to "disappearing back into the shadows".
The shows that we at Audrey Journal loved, the productions we admired, the stories we were moved and shaken by.
The 2018 Philip Parsons Lecture: The myth of the general audience must go the way of the myth of the average Australian, says Alana Valentine.
Suz Mawer: What I learned in Ita O'Brien's intimacy workshop.