Three homegrown choreographers. Three very different works. Verve takes you on a voyage through contemporary Australian dance.
Alice Topp’s Aurum moved critics and audiences to superlatives when it premiered in 2018. Inspired by the Japanese art of kintsugi – repairing cracked pottery with precious metals – the work explores damage, healing and the beauty of our flaws. The dancers’ powerful movement and profound emotion are framed in a breathtaking staging by Jon Buswell, featuring a reflective golden floor and ripples of burnished light. This acclaimed work will have its New York premiere at the Joyce Theater in May.
Stephen Baynes’ Constant Variants mirrors the elegant classicism of Tchaikovsky’s Variations on a Rococo Theme with velvet-soft, delicate dance. Gliding airborne, captured in warm light and vast picture frames, his dancers conjure the mesmerising beauty of Renaissance paintings.
Verve ends with a bang: Tim Harbour’s Filigree and Shadow. The stripped-back clarity of its set, designed by Sydney architect Kelvin Ho, contrasts with the ferocious complexity and speed of the choreography and the drama of the specially commissioned electronic score by German duo 48nord.