Audrey review: This Gothic yarn is a twofold celebration: first, of the healing power of storytelling; second of the magic of rough theatre.
Audrey review: Fixed in a small theatre close-up, a radiant Belinda Giblin makes light work of one of the most demanding texts ever foisted upon an actor.
What the critics say: Bess Wohl's slice of American life translates perfectly to the Australian stage in this elegant and deftly performed production.
Audrey review: New Theatre is on a hot streak of quality presentations this year. Significant Other continues the trend.
Audrey review: Eamon Flack’s production of Anton Chekhov’s final play takes the author at his word. The Cherry Orchard is a comedy above all else.
Audrey review: Little of the blood and chilling violence of the film, but this production’s sharp edges and slashing wit leave a lasting impression.
The award-winning musical inspired by the real-life journey of the air passengers grounded in Newfoundland in the hours and days after 9/11.
Longer reads. Big ideas. More than just the skinny.
Got a few minutes? Spend some of them on Audrey Journal’s long-form writing on theatre, dance, opera and performance in Sydney and beyond.
Lewis Treston's play takes audiences beyond youth homelessness statistics and into individual circumstances.
Suzie Miller's Prima Facie weaves years of coalface legal experience into the story of a lawyer who finds herself on the other side of the bar.
Shakespeare had huge faith in the young actors who gave us the original Juliet, Lady Macbeth, or Rosalind and Viola. So why don't we, asks George Kemp.
In a newly published Platform Paper, Alison Croggon considers the state of critical writing in Australia and asks, should it disappear, to whom would that matter?
Imogen Gardam, winner of the 2018 Rose Byrne Scholarship for Emerging Female Leader in the Arts, on why she looks forward to "disappearing back into the shadows".
The 2018 Philip Parsons Lecture: The myth of the general audience must go the way of the myth of the average Australian, says Alana Valentine.
It’s just another day at the Singapore office of Clearday cosmetics. That is, until they discover that their new TV commercial has been leaked online.
A one-handed, gay actor desperate to be in a big Broadway musical. And that's just for starters.
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Alexander is a writer, director, producer and educator working on Gadigal land.
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Raveena Grover is a writer, curator and creative director.
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