This devised work promises a night of reassurance, full of songs you are ashamed you know the lyrics to.
Four of the stars of the Bondi Feast season of this ultra-revealing alt-cabaret share their experience of opening up in public.
Rob Johnson and Harrison Milas revive their comedy partnership to explore why people keep making the same mistakes over and over again.
Audrey review: Emerging talent shines in a powerful drama depicting a young man caught in a collision of faith and fear.
The Listies' very cheeky, utterly irreverent riff on Hamlet – made especially for children – returns.
An aspiring young director rages against the art created by his mother’s generation in this remix of Chekhov's The Seagull.
Michelle Aitken examines gendered and erotic relationships with technology via sexbots, Siri and sci-fi.
From Mad March Hare, the Sydney premiere of US writer Clare Barron's darkly comic play about family, illness and cowboys.
The Old Fitzroy Theatre is deepening its monthly lineup of improv and burlesque shows with an entire Red Line Underground season.
H. Lawrence Sumner's epic tale offers a rich tapestry of families, history and murder.
Longer reads. Big ideas. More than just the skinny.
Got a few minutes? Spend some of them on Audrey’s long-form writing on theatre, dance, opera, and performance in Sydney and beyond.
In an era dominated by so-called "angry young men", Shelagh Delaney stormed the West End, aged 19.
Lachlan Philpott shares his vision for the future of Australian stage writing with Audrey Journal.
Hannie Rayson gave up acting aged 26 to focus on her writing. Three decades later, the bug bit again.
Aanisa Vylet's The Girl/The Woman challenges stereotypes by showing the complexities Arab-Muslim women face in Australia.
British writer Chris Urch speaks to Audrey Journal about a play inspired by a notorious African newspaper's anti-gay campaigns.
It takes a live-wire to electrify a venue in danger of losing its mojo.
Looking at the main stages of Sydney, you could be excused for thinking that this is a golden age for new Australian drama.
Les Mis 1000 times? 85 (and a half) viewings of Wicked? Actor George Kemp goes in search of Australia's theatre obsessives.
Declan Greene fires back at comments made by Wesley Enoch in his Nick Enright Keynote Address.
A play might be good, bad or indifferent but nothing will keep Grahame Best - the Standing Ovation Man - from rising to his feet.
A Sydney-based writer addicted to listening and thinking about live music.
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