Commissioned in 1733, Handel's Athalia brings to life a biblical plot full of intrigue and devious characters.
Alana Valentine's Letters to Lindy provides a deep insight into one of the most compelling legal and human dramas of our times.
The story of a young couple living in socialist East Germany and a relationship tested to the extreme.
The Old Fitzroy Theatre is deepening its monthly lineup of improv and burlesque shows with an entire Red Line Underground season.
Andrew Henry's showcase of the songs that pulled him through dark times is revived in aid of the Actor's Benevolent Fund NSW.
This modern American classic brings three daughters and much personal baggage to their parents' ramshackle Oklahoma homestead.
Playwright Jordan Harrison explores the mysteries of human identity and the limits - if any - of what technology can replace.
Longer reads. Big ideas. More than just the skinny.
Got a few minutes? Spend some of them on Audrey’s long-form writing on theatre, dance, opera, and performance in Sydney and beyond.
Hannie Rayson gave up acting aged 26 to focus on her writing. Three decades later, the bug bit again.
Director Daniel Schlusser creates a little "Socialist paradise" in order to stage a story by one of the casualties of the post-Berlin Wall culture wars.
British writer Chris Urch speaks to Audrey Journal about a play inspired by a notorious African newspaper's anti-gay campaigns.
Justin Fleming's new play explores Adolf Hitler's fascination for the hero of an early Wagner opera.
It takes a true live-wire to electrify a venue in danger of losing its mojo.
Looking at the main stages of Sydney, you could be excused for thinking that this is a golden age for new Australian drama.
A new dance work springs from a fascination with the cognitive impact of the increasing time young people spend on screens.
Les Mis 1000 times? 85 (and a half) viewings of Wicked? Actor George Kemp goes in search of Australia's theatre obsessives.
Declan Greene fires back at comments made by Wesley Enoch in his Nick Enright Keynote Address.
A play might be good, bad or indifferent but nothing will keep Grahame Best - the Standing Ovation Man - from rising to his feet.
New York-based Pip Cummings is a writer, editor and ideas curator.
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Ang is an emerging playwright and dramaturg, master of the unpaid arts internship.
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Actor, producer and diversity advisor for Australia's theatre and screen industry. Chair of Equity's Diversity Committee. Macrame enthusiast.
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Antoinette is a Sydney based designer, fine artist and now actor.
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