A fresh adaptation of one of the most extraordinary novels of all time gets inside the mind of a destitute student who commits a brutal murder.
British writer Alan Ayckbourn’s famously ingenuous trilogy traces the unravelling of a man's romantic ambitions.
As a father approaches death, his three children try to reconcile three very different experiences of the same man.
Andrew Lloyd Webber’s romantic musical follows the fortunes of a young student in post-war France.
Judy Davis directs August Strindberg's humorous yet pitiless portrait of a marriage in deep strife.
Eight of the world's best illusionists present a new show, packed with astonishing acts of visual, mental and optical illusion.
The much loved BBC series Sarah & Duck are flying south for their first visit to the Sydney Opera House.
Longer reads. Big ideas. More than just the skinny.
Got a few minutes? Spend some of them on Audrey’s long-form writing on theatre, dance, opera, and performance in Sydney and beyond.
The 2018 Philip Parsons Lecture: The myth of the general audience must go the way of the myth of the average Australian, says Alana Valentine.
Make a creative’s heart sing, writes Ang Collins. It's not that hard to do.
Arts funding in Australia is a car crash argues Big hART's Scott Rankin in a newly published Platform Paper.
Tongan-Australian writer Winnie Dunn speaks to the Voice, Agency and Integrity Report produced by Diversity Arts Australia.
Why would a "Capital-A Actor" choose sex work? It's more than just the money writes "Adelaide".
When anything over 90 minutes is considered long-haul, why do we still make marathon theatre?
It takes a live-wire to electrify a venue in danger of losing its mojo.
Les Mis 1000 times? 85 (and a half) viewings of Wicked? Actor George Kemp goes in search of Australia's theatre obsessives.
A play might be good, bad or indifferent but nothing will keep Grahame Best - the Standing Ovation Man - from rising to his feet.
Kiriaki Koubaroulis works in the creative industries in diverse roles within local government and non-profit sectors in both the visual and performing arts.
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Tessa Leong works across theatre, performance and live art as a director, deviser and dramaturg.
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