Presented over two nights, this rehearsed reading of Tony Kusher's epic play will be raising funds for two charities providing life-saving community support in Afghanistan.
A sumptuous musical experience that pays homage to one of the greatest composers of the 17th century.
A group of housemates are throwing a birthday party and everyone is invited! Only problem? No one knows if the guest of honour will show up…
Liveworks serves as a source of connection, renewal and hope at a critical moment in local and global history.
A new fund-raising rehearsed reading of a Ray Lawler classic to support actors suffering financial hardship.
Little Eggs Collective adapt a French Symphony from the 1800s into a queer theatre work exploring party culture, psychedelia, and violence.
Longer reads. Big ideas. More than just the skinny.
Got a few minutes? Spend some of them on Audrey Journal’s long-form writing on theatre, dance, opera and performance in Sydney and beyond.
"Hold on tightly, let go lightly": Actor and theatre-maker Catherine Văn-Davies puts 100 per cent into her work, even if it disappears tomorrow.
"Constantly in flux and questioned, rarely settled on": Shauntelle Benjamin on ADHD, gender fluidity and engaging with more people of colour in Australia’s arts scene.
Designer Eugyeene Teh is an artist fuelled by the deliberate act of giving, writes Suzy Wrong.
Hired to record an audiobook, Sydney actor Julia Robertson's "saving grace" lockdown gig has become a crash course in patience.
A theatre without actors is just a building. But what are actors without theatres, asks Toby Schmitz.
Shakespeare had huge faith in the young actors who gave us the original Juliet, Lady Macbeth, or Rosalind and Viola. So why don't we, asks George Kemp.
In a newly published Platform Paper, Alison Croggon considers the state of critical writing in Australia and asks, should it disappear, to whom would that matter?
Imogen Gardam, winner of the 2018 Rose Byrne Scholarship for Emerging Female Leader in the Arts, on why she looks forward to "disappearing back into the shadows".
The 2018 Philip Parsons Lecture: The myth of the general audience must go the way of the myth of the average Australian, says Alana Valentine.
It’s just another day at the Singapore office of Clearday cosmetics. That is, until they discover that their new TV commercial has been leaked online.
Raveena Grover is a writer, curator and creative director.
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Professor of Drama and Theatre Studies, Royal Holloway University of London
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Suzy Wrong is a theatre critic in Sydney and an actor, last seen in SBS TV's Hungry Ghosts.
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Deniz Agraz is a bilingual writer and a former ESL teacher based in Sydney.
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