At a time when a pandemic has forced reflection and change, 50 Australian playwrights have responded to questions that get to the heart of where our nation is - and where it might go.
An African country teeters on the edge of civil war. A society prepares to drive out its colonial present and claim an independent future.
Toby Schmitz takes on Will Eno's acclaimed one-man show in front of nine cameras streaming live and globally.
In 2005, Druid presented the first ever staging of John Millington Synge's entire theatrical canon. It's now available to view online.
Brilliantly crafted, this parody black-and-white western from Perth's The Last Great Hunt gifts its audience with wholesome joy.
Located in the heritage-listed Paddington Town Hall, The Reservoir Room is a new venue for these times, an intimate studio for streamed cabaret.
Longer reads. Big ideas. More than just the skinny.
Got a few minutes? Spend some of them on Audrey Journal’s long-form writing on theatre, dance, opera and performance in Sydney and beyond.
A theatre without actors is just a building. But what are actors without theatres, ponders Toby Schmitz.
It's been a tough year, writes theatre maker Suz Mawer. But we can use the time on our hands to positive ends.
New Theatre is a perfect fit for The Silver Gull Play Award, writes Louise Fischer. "We look forward to taking it to the next level."
“With a heavy heart”, Griffin Theatre Company Artistic Director Declan Greene has announced an extension of the closure of Griffin until September.
John Harrison is a theatre maker and leads Westmead Hospital's Clinical Emergency Response Team. He has advice for the arts community that needs to be taken seriously.
The rapidly evolving response to COVID-19 will have a profound effect on Sydney's theatre and live performance industry. Latest developments and announcements here.
Shakespeare had huge faith in the young actors who gave us the original Juliet, Lady Macbeth, or Rosalind and Viola. So why don't we, asks George Kemp.
In a newly published Platform Paper, Alison Croggon considers the state of critical writing in Australia and asks, should it disappear, to whom would that matter?
Imogen Gardam, winner of the 2018 Rose Byrne Scholarship for Emerging Female Leader in the Arts, on why she looks forward to "disappearing back into the shadows".
The 2018 Philip Parsons Lecture: The myth of the general audience must go the way of the myth of the average Australian, says Alana Valentine.
Anna is an actor, playwright and director deeply invested in the process and mechanics of storytelling for live performance.
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Richard Hilliar is co-artistic director of Sydney independent theatre company Tooth and Sinew.
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Violette is a Middle-Eastern Australian actor, writer, theatre-maker, and producer.
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