Inspired by the New Caledonian referendum on independence, Le Dernier Appel explores old and new knowledge as power is reconfigured.
Zoë Coombs Marr, Natalie Rose and Mish Grigor unravel their history in an embarrassing, hysterical and nostalgic night of conversation.
Jessica Swale’s hit play traces the trajectory of Nell Gwynn, from humble orange peddler to mistress of the king of England.
Tom Campbell's solo show isn't really about him being a one-handed performer. It's about you.
Kendall Feaver’s play is a compelling study of a young woman trying to discover where her illness ends and her identity begins.
A direct response to the epidemic of domestic abuse, Steve Rodgers’ drama provides us with glimpses into a panoramic lie.
A West End success in the late 1950s, Shelagh Delany's drama centralised women's lives on stages dominated by the "angry young men".
A former army medic suffering from his time in Afghanistan struggles with war-induced PTSD.
Longer reads. Big ideas. More than just the skinny.
Got a few minutes? Spend some of them on Audrey’s long-form writing on theatre, dance, opera, and performance in Sydney and beyond.
“We don’t hate,” says the Wharf Revue's Jonathan Biggins. “I actually pity politicians tremendously.”
Jazz is “the perfect vehicle” with which to explore Australia’s convict past, says saxophonist-composer Jeremy Rose.
Lighting designer Sian James-Holland casts an eye over OA's hi-tech Aida and wonders what it means for the future of our theatre.
In an era dominated by so-called "angry young men", Shelagh Delaney stormed the West End, aged 19.
It takes a live-wire to electrify a venue in danger of losing its mojo.
Looking at the main stages of Sydney, you could be excused for thinking that this is a golden age for new Australian drama.
Les Mis 1000 times? 85 (and a half) viewings of Wicked? Actor George Kemp goes in search of Australia's theatre obsessives.
Declan Greene fires back at comments made by Wesley Enoch in his Nick Enright Keynote Address.
A play might be good, bad or indifferent but nothing will keep Grahame Best - the Standing Ovation Man - from rising to his feet.
An Australian based lighting designer delivering productions nationally and overseas.
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