Audrey review: Light on blood and violence, but this production’s sharp edges and slashing wit leave a lasting impression.
Audrey review: We're half a world away from Belfast and The Troubles, but the violence of David Ireland's play can feel scarily close to home.
In a system built by men, operated by men, inclined to distrust women, does the truth even matter?
Audrey review: Emme Hoy's tantalising new play revolves around a sinister experiment.
Audrey review: A rambunctious and resonant testimony to the indomitable resilience and diversity of Australian Indigenous women.
Audrey review: Alana Valentine's new play burrows into the deep layers of prejudice hiding behind civility and taboo.
Audrey review: Bess Wohl's comedy speaks in the broken semaphore of six people trying to get along.
Audrey review: A bleakly powerful staging may prove revelatory but tests your tolerance levels for depictions of profoundly toxic men.
Longer reads. Big ideas. More than just the skinny.
Got a few minutes? Spend some of them on Audrey Journal’s long-form writing on theatre, dance, opera and performance in Sydney and beyond.
Our digital devices can be both tools and weapons, says Girl in the Machine playwright Stef Smith.
Suzie Miller's new play weaves years of coalface legal experience into the story of a lawyer who finds herself on the other side of the bar.
Harry Milas deploys some of the oldest tricks in the book to promote healthy skepticism and agency.
Dharug artist Venessa Possum creates a feast of connectivity and craft at Q Theatre's Long Table.
Specialising in new work is "the tougher road" but it's the most rewarding path says actor Sheridan Harbridge.
Imogen Gardam, winner of the 2018 Rose Byrne Scholarship for Emerging Female Leader in the Arts, on why she looks forward to "disappearing back into the shadows".
The 2018 Philip Parsons Lecture: The myth of the general audience must go the way of the myth of the average Australian, says Alana Valentine.
Les Mis 1000 times? 85 (and a half) viewings of Wicked? Actor George Kemp goes in search of Australia's theatre obsessives.
Venessa Possum is a Dharug Dharawal-Baragal women with Irish descent, an artist, archivist, cultural project facilitator and consultant.
Read More
