Audrey review: Turning a queer lens on contemporary relationships, Nick Coyle creates a world where anxieties, desires and impulses are writ large.
Audrey review: An immersive show creates an ever-present sense that danger is just around the corner.
In a new play by Toby Schmitz, a rejected art school applicant rises to political power using charm, cunning and violence.
Playwright Caleb Lewis introduces his audience to Maggie Stone, the hard-hearted face of Australia’s belligerents.
Andrey review: Perfect timing but Belvoir's adaptation of an Ibsen classic shows blunt satirical teeth.
Sydney, 1996. The Internet is becoming a Thing, and Jodie and Clara are entering their final year of school.
Audrey review: Fine comic performances but has the creative and political potential of gender-flipping reached its limit?
A young radio astronomer who makes a universe-shifting discovery has her work to be taken over by her older, male, supervisor.
“We don’t hate,” says the Wharf Revue's Jonathan Biggins. “I actually pity politicians tremendously.”
Longer reads. Big ideas. More than just the skinny.
Got a few minutes? Spend some of them on Audrey’s long-form writing on theatre, dance, opera, and performance in Sydney and beyond.
Why would a "Capital-A Actor" choose sex work? It's more than just the money writes "Adelaide".
New at NORPA: Aussie bush terror inspires a woman's journey to find her wilder self.
Why write a play about Nazis? And how? Toby Schmitz ponders the complex, troubling relationship between fascism and art.
When anything over 90 minutes is considered long-haul, why do we still make marathon theatre?
“We don’t hate,” says the Wharf Revue's Jonathan Biggins. “I actually pity politicians tremendously.”
It takes a live-wire to electrify a venue in danger of losing its mojo.
Les Mis 1000 times? 85 (and a half) viewings of Wicked? Actor George Kemp goes in search of Australia's theatre obsessives.
Declan Greene fires back at comments made by Wesley Enoch in his Nick Enright Keynote Address.
A play might be good, bad or indifferent but nothing will keep Grahame Best - the Standing Ovation Man - from rising to his feet.
Cassie is a theatre critic and culture writer based in Sydney.
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Lauren is a writer, researcher and artist writing and talking about cinema and art.
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