This premiere production of Angus Cerini’s knotty murder story overcomes the Covid buzz-kill by the skin of its not inconsiderable teeth.
Mark Rogers' play parallels two very different lives to ask questions about what it means to take responsibility for your actions, and what it means to change your mind.
After the interiority of the past several months, Virginia Woolf’s A Room of One’s Own feels like a good first outing, writes Cassie Tongue.
An original and surreal take on Shakespeare’s story set in the mind of Lady Macbeth as she plunges to her death.
A festival of in-person and streamed shows from innovative artists worldwide.
Lally Katz's comedy about hope, death and pets questions whether we really know what’s out there in the ‘burbs’.
One of the most influential and ground-breaking novels in English literature brought to the stage in a new adaptation by Saro Lusty-Cavallari.
Longer reads. Big ideas. More than just the skinny.
Got a few minutes? Spend some of them on Audrey Journal’s long-form writing on theatre, dance, opera and performance in Sydney and beyond.
A theatre without actors is just a building. But what are actors without theatres, ponders Toby Schmitz.
It's been a tough year, writes theatre maker Suz Mawer. But we can use the time on our hands to positive ends.
New Theatre is a perfect fit for The Silver Gull Play Award, writes Louise Fischer. "We look forward to taking it to the next level."
“With a heavy heart”, Griffin Theatre Company Artistic Director Declan Greene has announced an extension of the closure of Griffin until September.
John Harrison is a theatre maker and leads Westmead Hospital's Clinical Emergency Response Team. He has advice for the arts community that needs to be taken seriously.
The rapidly evolving response to COVID-19 will have a profound effect on Sydney's theatre and live performance industry. Latest developments and announcements here.
Shakespeare had huge faith in the young actors who gave us the original Juliet, Lady Macbeth, or Rosalind and Viola. So why don't we, asks George Kemp.
In a newly published Platform Paper, Alison Croggon considers the state of critical writing in Australia and asks, should it disappear, to whom would that matter?
Imogen Gardam, winner of the 2018 Rose Byrne Scholarship for Emerging Female Leader in the Arts, on why she looks forward to "disappearing back into the shadows".
The 2018 Philip Parsons Lecture: The myth of the general audience must go the way of the myth of the average Australian, says Alana Valentine.
Anna is an actor, playwright and director deeply invested in the process and mechanics of storytelling for live performance.
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Richard Hilliar is co-artistic director of Sydney independent theatre company Tooth and Sinew.
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Violette is a Middle-Eastern Australian actor, writer, theatre-maker, and producer.
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