Audrey review: Joey McKneely's faithful staging only serves to highlight how dated a show - even one that was radical in its time - can become.
Audrey review: Mike Bartlett's vivid study of troubled friendship asks how far we're prepared to go to help others.
Audrey review: Jane Harrison’s comedy-flecked drama spotlights one family’s struggle for equality in housing, education, work and opportunity.
Audrey review: New layers of emotion and physical detail abound in this remount of 2017's best independent production.
Audrey review: The mythic intensity of Steinbeck's novel is lost in this staging of the Joad family's long journey from bad to worse.
Audrey review: Taofia Pelesasa's depicton of an island culture swamped by rising oceans is Pasifika storytelling at its finest, writes Gabriel Faatau'uu-Satiu.
Audrey review: A gutsy and hilarious evisceration of pick-up culture staged with grace and gusto.
Audrey review: Belvoir's austere modern dress staging of Bertolt Brecht’s drama seldom reaches out beyond its circle.
Audrey review: It's recharged by inclusive thinking, high technology and the lighting of distress flares, but does Lord of the Flies cut it in the Fortnite era?
Longer reads. Big ideas. More than just the skinny.
Got a few minutes? Spend some of them on Audrey Journal’s long-form writing on theatre, dance, opera and performance in Sydney and beyond.
Regional Victorian playwright Brendan Hogan makes it two from two.
Sydney's independent theatre scene creates great product, argues actor and producer Matthew Cheetham. But it struggles to sell it.
The sudden closure of an inner city venue points to a structural weakness in our independent sector, write KXT co-artistic directors Suzanne Millar and John Harrison.
Imogen Gardam, winner of the 2018 Rose Byrne Scholarship for Emerging Female Leader in the Arts, on why she looks forward to "disappearing back into the shadows".
The 2018 Philip Parsons Lecture: The myth of the general audience must go the way of the myth of the average Australian, says Alana Valentine.
Les Mis 1000 times? 85 (and a half) viewings of Wicked? Actor George Kemp goes in search of Australia's theatre obsessives.
An emerging artist and sociologist living and working in God’s Country (aka Newcastle, NSW).
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A Sydney-based writer addicted to listening and thinking about live music.
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Cassie is a theatre critic and culture writer based in Sydney.
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