Audrey review: Sharp and scabrously funny, This Bitter Earth shifts from serious to superficial, heartfelt to ironic in a blink.
Audrey review: Sam Wang’s immersion in his homemade espionage action thriller is a pleasure to behold.
Audrey review: Martin McDonagh's portrait of a community gripped by cruel gossip and hearsay has contemporary resonance - but only just.
Audrey review: A dead billionaire's anthology of whimsical porn fuels a story of a young man’s struggle to form an identity.
This winter's Bondi Feast features more than 40 shows, starring performers from all over Australia and beyond.
Audrey review: A bawdy feminist cabaret from Melbourne takes on the patriarchy with the power of glam.
Audrey review: Left homeless after the closure of Limelight on Oxford, Mark Langham's Soviet-era drama lands on its feet.
Audrey review: After a couple of spins around the block and with a new actor in the title role, how's Muriel doing?
Longer reads. Big ideas. More than just the skinny.
Got a few minutes? Spend some of them on Audrey Journal’s long-form writing on theatre, dance, opera and performance in Sydney and beyond.
Sydney's independent theatre scene creates great product, argues actor and producer Matthew Cheetham. But it struggles to sell it.
Step into the tranquil realm of festival directorship with Bondi Feast's Rachel Chant and Phil Spencer. Bring a graffiti artist with you, they've lost one.
Imagination, computer software and old plastic bottles help bring a mermaid tale to life.
The sudden closure of an inner city venue points to a structural weakness in our independent sector, write KXT co-artistic directors Suzanne Millar and John Harrison.
A musical set in the streets and brothels of underworld Sydney comes home, writes Kate Mulley.
Harry Milas deploys some of the oldest tricks in the book to promote healthy skepticism and agency.
Imogen Gardam, winner of the 2018 Rose Byrne Scholarship for Emerging Female Leader in the Arts, on why she looks forward to "disappearing back into the shadows".
The 2018 Philip Parsons Lecture: The myth of the general audience must go the way of the myth of the average Australian, says Alana Valentine.
Les Mis 1000 times? 85 (and a half) viewings of Wicked? Actor George Kemp goes in search of Australia's theatre obsessives.
Born in Aotearoa/New Zealand with Māori heritage and raised in Perth, Daley King is an eclectic, genderqueer writer and theatre-maker.
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William is performing the role of Billy in Martin McDonagh’s The Cripple of Inishmaan at the Old Fitzroy Theatre.
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