John LaChiusa's musical adaptation of an explosive 1928 poem invites you to the party to end all parties.
A tale of chance, forgiveness, and blame, told through five characters and four stories.
In two acts, Daniel Keene’s play explores human frailty and the insidious effects of global tensions.
Audrey review: Turning a queer lens on contemporary relationships, Nick Coyle creates a world where anxieties, desires and impulses are writ large.
Audrey review: An immersive show creates an ever-present sense that danger is just around the corner.
Judy Davis directs August Strindberg's humorous yet pitiless portrait of a marriage in deep strife.
Longer reads. Big ideas. More than just the skinny.
Got a few minutes? Spend some of them on Audrey’s long-form writing on theatre, dance, opera, and performance in Sydney and beyond.
Make a creative’s heart sing, writes Ang Collins. It's not that hard to do.
Arts funding in Australia is a car crash argues Big hART's Scott Rankin in a newly published Platform Paper.
Tongan-Australian writer Winnie Dunn speaks to the Voice, Agency and Integrity Report produced by Diversity Arts Australia.
Why would a "Capital-A Actor" choose sex work? It's more than just the money writes "Adelaide".
When anything over 90 minutes is considered long-haul, why do we still make marathon theatre?
“We don’t hate,” says the Wharf Revue's Jonathan Biggins. “I actually pity politicians tremendously.”
It takes a live-wire to electrify a venue in danger of losing its mojo.
Les Mis 1000 times? 85 (and a half) viewings of Wicked? Actor George Kemp goes in search of Australia's theatre obsessives.
Declan Greene fires back at comments made by Wesley Enoch in his Nick Enright Keynote Address.
A play might be good, bad or indifferent but nothing will keep Grahame Best - the Standing Ovation Man - from rising to his feet.
Kiriaki Koubaroulis works in the creative industries in diverse roles within local government and non-profit sectors in both the visual and performing arts.
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Ang is an emerging playwright and dramaturg, master of the unpaid arts internship.
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Cassie is a theatre critic and culture writer based in Sydney.
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Lauren is a writer, researcher and artist writing and talking about cinema and art.
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