In a first for this Dario Fo classic, director Sarah Giles amps up the energy with an all-female cast.
A family assembles for Thanksgiving dinner in the run-down Manhattan apartment of the youngest daughter.
Pop-up Globe explores displacement and migration with Shakespeare's comic masterpiece.
Pop-up Globe tackles one of the most problematic of all of Shakespeare's "problem plays".
Longer reads. Big ideas. More than just the skinny.
Got a few minutes? Spend some of them on Audrey’s long-form writing on theatre, dance, opera, and performance in Sydney and beyond.
New at NORPA: Aussie bush terror inspires a woman's journey to find her wilder self.
Why write a play about Nazis? And how? Toby Schmitz ponders the complex, troubling relationship between fascism and art.
When anything over 90 minutes is considered long-haul, why do we still make marathon theatre?
“We don’t hate,” says the Wharf Revue's Jonathan Biggins. “I actually pity politicians tremendously.”
It takes a live-wire to electrify a venue in danger of losing its mojo.
Les Mis 1000 times? 85 (and a half) viewings of Wicked? Actor George Kemp goes in search of Australia's theatre obsessives.
Declan Greene fires back at comments made by Wesley Enoch in his Nick Enright Keynote Address.
A play might be good, bad or indifferent but nothing will keep Grahame Best - the Standing Ovation Man - from rising to his feet.
Curly (Curtis) Fernandez is the leader of Team Fernandez and member of The Leftovers Collective.
Read More
