Audrey review: Francesca Zambello’s new production brings a sweeping sense of urban scale to a Broadway classic.
A guy in love with his best friend unwittingly open a gateway to hell. Senior prom ruined.
This 2017 hit returns to Belvoir for a special encore season before embarking on a national tour.
Audrey review: No shortage of physics talk but this STC staging of Lucy Kirkwood's sibling drama lacks the necessary chemistry.
Tony Award-winner Jason Robert Brown's The Last Five Years chronicles a couple’s passionate romance from both perspectives.
A story about upsetting the potato cart and standing up for your principles.
The first opera designed to be performed in a public bathroom tells the story of three women meeting for the first time.
David Lindsay-Abaire’s Pulitzer Prize-winning play charts a bittersweet search for comfort in the darkest of places.
Longer reads. Big ideas. More than just the skinny.
Got a few minutes? Spend some of them on Audrey Journal’s long-form writing on theatre, dance, opera and performance in Sydney and beyond.
David Finnigan asks the hard questions: Will we survive the coming storm? Do climate scientists have good taste in music?
Sarah Hadley and Ang Collins on the making of a "queer, cyberfeminist parody" of the film you hate to love.
Merrigong Theatre Company aims to build a new audience alongside new work from young and diverse creatives.
Imogen Gardam, winner of the 2018 Rose Byrne Scholarship for Emerging Female Leader in the Arts, on why she looks forward to "disappearing back into the shadows".
After a year of the mass movement to fight abuse, we are moving beyond marches and hashtags, writes Lydia Sarks.
The 2018 Philip Parsons Lecture: The myth of the general audience must go the way of the myth of the average Australian, says Alana Valentine.
Make a creative’s heart sing, writes Ang Collins. It's not that hard to do.
Tongan-Australian writer Winnie Dunn speaks to the Voice, Agency and Integrity Report produced by Diversity Arts Australia.
Les Mis 1000 times? 85 (and a half) viewings of Wicked? Actor George Kemp goes in search of Australia's theatre obsessives.
David Finnigan is a writer, theatre-maker and pharmacy assistant from Canberra.
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Writer, director and designer and the co-director and co-founder of Montague Basement.
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Imogen is the 2018 winner of the Rose Byrne Scholarship for an Emerging Female Leader in the Arts
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