Jasmin Sheppard's new dance work explores and challenges the social expectations of what it means to look or sound Aboriginal.
Four Western Sydney hood-rats clash in a string of violence, substance abuse and sexual encounters.
Jump aboard a hilarious, sexy and sequin-spangled take on a Gilbert and Sullivan masterpiece.
Switch off your dating apps, forget the nightclubs and tune in to a thousand-year tradition of courtly Persian love poetry.
How much weight can we carry? Who can we trust to support us? It takes strength to be human.
The story of Evonne Goolagong, the pioneering Indigenous tennis champ who served and volleyed her way to 14 Grand Slam titles and into the hearts of a nation.
Provocateur Mitch Jones looks to our dystopian future and asks, what will we eat when we’ve consumed it all?
A heartfelt comedy about celebrating our differences, from acclaimed Western Sydney writer James Elazzi.
Longer reads. Big ideas. More than just the skinny.
Got a few minutes? Spend some of them on Audrey Journal’s long-form writing on theatre, dance, opera and performance in Sydney and beyond.
By saying goodbye to patriotic flag-waving, H.M.S. Pinafore offers a message to all those lost at sea, writes director Kate Gaul.
It's been a tough year, writes theatre maker Suz Mawer. But we can use the time on our hands to positive ends.
Shakespeare had huge faith in the young actors who gave us the original Juliet, Lady Macbeth, or Rosalind and Viola. So why don't we, asks George Kemp.
In a newly published Platform Paper, Alison Croggon considers the state of critical writing in Australia and asks, should it disappear, to whom would that matter?
Imogen Gardam, winner of the 2018 Rose Byrne Scholarship for Emerging Female Leader in the Arts, on why she looks forward to "disappearing back into the shadows".
The 2018 Philip Parsons Lecture: The myth of the general audience must go the way of the myth of the average Australian, says Alana Valentine.
John Harrison is a theatre maker and leads Westmead Hospital's Clinical Emergency Response Team. He has advice for the arts community that needs to be taken seriously.
Anna is an actor, playwright and director deeply invested in the process and mechanics of storytelling for live performance.
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Richard Hilliar is co-artistic director of Sydney independent theatre company Tooth and Sinew.
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Violette is a Middle-Eastern Australian actor, writer, theatre-maker, and producer.
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